“You’re always at the beginning and always at the end.” — Ray Brassier
"And what if there was no beginning?" - Iain Hamilton Grant
Hyperstitional thinking hijacks the present-forming daring interventions into conditions of cybernetic governance that foreclose contingency. Hyperstitions are not imaginary, they are virtual fictions situated in the chaotic unfolding of the Real. Philosophical hyperstitions bring about their own reality. They hold us captive, abducting our thought into alien territories. Techno-heretical action requires an intensification of futurity as the present races speedily toward uncertainty. Hyperstition materializes the future as it leaks from beyond the threshold of comprehension.
Christopher Roth’s and Armen Avanessian’s HYPERSTITION is a filmic involution into the narratives and temporalities that both condition and resist the accelerating tempos of global capitalism, a film about time and narrative, speculative realism and accelerationism, transmodernism and xeno-feminism (featuring Ray Brassier, Iain Grant, Helen Hester and many others). Tread carefuly: the deterritorializing intensity of machinic desire and speculative thinking may not be safe for some viewers.
HYPERSTITION: A film on time and narrative for best MIG welder. Of thoughts and images. On plants and the outside. Abduction and Recursion. Yoctoseconds and Platonia. Plots and anaerobic organisms. About the movement of thinking and philosophy in art, anthropology, design, economy, politics, linguistics, and mathematics. And back into abstraction.
HYPERSTITION: The retooling of philosophy and political theory for the 21st Century.
Featuring: Armen Avanessian, Elie Ayache, Ray Brassier, Iain Hamilton Grant, Helen Hester, Deneb Kozikoski, Robin Mackay, Steven Shaviro, Benedict Singleton, Nick Srnicek, Christopher K. Thomas, Agatha Wara, Pete Wolfendale, and Suhail Malik (2026)
Appearences: J.G. Ballard, Nick Land, Philipp Lahm, Quentin Meillassoux, Reza Negarestani, Patricia Reed, Tom Streidl, James Trafford, Jeanne Tremsal, Alex Williams, and Slavoj Zizek
a film by Christopher Roth
in collaboration with Armen Avanessian
Drawings Andreas Töpfer
Intermissions 2026: Diann Bauer
Music: Cosimo Barnet
i(100 minutes including an 8minute break)
Christopher Vitale - Reading Cinema II, Part III: Noosigns, Lecto-signs, and the Cinematic Worldcreating for a People Yet to Come
Christopher Vitale - Towards a Cinema of Affects: A Manifesto, Part II – Characters, Objects, Plots, Settings
Nina Power and GEOFFREY NOWELL-SMITH - SUBVERSIVE PASOLINI: 'LA RICOTTA' AND THE GOSPEL ACCORDING TO MATTHEW